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Kim Córdova Writing portfolio
e-flux Criticism // La madre, las palabras con los nombres, un sorbo y cuatro rayos
Apr 30

Apr 30 e-flux Criticism // La madre, las palabras con los nombres, un sorbo y cuatro rayos

kim cordova
Review
New York Times // At This Architectural Gem An Artist Was Present. Horses Too.
Feb 25

Feb 25 New York Times // At This Architectural Gem An Artist Was Present. Horses Too.

kim cordova
Art News // 7 Under-the-Radar Shows to See During CDMX Art Week 2025
Feb 4

Feb 4 Art News // 7 Under-the-Radar Shows to See During CDMX Art Week 2025

kim cordova
October // On Tbilisi
Jan 24

Jan 24 October // On Tbilisi

kim cordova
New York Times // As Georgia Decides Its Future, Artists Are Worried About Theirs
Oct 28

Oct 28 New York Times // As Georgia Decides Its Future, Artists Are Worried About Theirs

kim cordova
Feature
e-flux Journal #146 // The Hacking of Culture and the Creation of Socio-Technical Debt
Jun 13

Jun 13 e-flux Journal #146 // The Hacking of Culture and the Creation of Socio-Technical Debt

kim cordova
Radio UNAL Panel // Análisis UNAL: "Resistencia y Desobediencia Civil"
May 17

May 17 Radio UNAL Panel // Análisis UNAL: "Resistencia y Desobediencia Civil"

kim cordova
e-flux Criticism // 60th Venice Biennale, National Pavilions
May 9

May 9 e-flux Criticism // 60th Venice Biennale, National Pavilions

kim cordova
Feature, Review
ArtNews // CDMX Art Week 2024 Round Up
Feb 12

Feb 12 ArtNews // CDMX Art Week 2024 Round Up

kim cordova
Round Up
New York Times // Apocalypse Anxiety, the Musical
Jul 14

Jul 14 New York Times // Apocalypse Anxiety, the Musical

kim cordova
Review

“Carnelian,” the latest show from the multimedia artist Lex Brown, rides the emotional roller coaster of life under constant threat of demise, with catchy songs.

ArtForum // Entanglements
Apr 4

Apr 4 ArtForum // Entanglements

kim cordova
Review
e-flux Criticism // Coded at LACMA and Difference Machines at UC Irvine
Mar 21

Mar 21 e-flux Criticism // Coded at LACMA and Difference Machines at UC Irvine

kim cordova
ArtForum // Tamuna Sirbiladze
Feb 1

Feb 1 ArtForum // Tamuna Sirbiladze

kim cordova
Review
e-flux Criticism // What's Next: 2022 Exhibition Roundup
Dec 23

Dec 23 e-flux Criticism // What's Next: 2022 Exhibition Roundup

kim cordova
ArtForum // Slavs and Tatars, Giorgi Khaniashvili
Nov 22

Nov 22 ArtForum // Slavs and Tatars, Giorgi Khaniashvili

kim cordova
e-flux Criticism // Hacer Noche 2: Promised Land
Nov 17

Nov 17 e-flux Criticism // Hacer Noche 2: Promised Land

kim cordova
e-flux Field Notes // Documenta15
Jul 25

Jul 25 e-flux Field Notes // Documenta15

kim cordova
Review
e-flux Criticism // 'Witch Hunt' at the The Hammer Museum and The Institute of Contemporary Art Los Angeles
Jan 14

Jan 14 e-flux Criticism // 'Witch Hunt' at the The Hammer Museum and The Institute of Contemporary Art Los Angeles

kim cordova
Association Internationale des Critiques d'Art // Marvelous Survival: 20 Years of SITAC
Oct 13

Oct 13 Association Internationale des Critiques d'Art // Marvelous Survival: 20 Years of SITAC

kim cordova

“Ten years ago I produced a SITAC and still I have not recovered.” tweeted Eduardo Abaroa, artist and director of SITAC 9, The Theory and Practice of Catastrophe. As it turns out, he is far from alone in that sentiment.

'Diedrick Brackens and Katherine Bradford' at the  Carpenter Center for Visual Art
Oct 8

Oct 8 'Diedrick Brackens and Katherine Bradford' at the Carpenter Center for Visual Art

kim cordova
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